![]() In an even more exciting twist: the ending revelation was that this fan club entirely stagged the murders and every supposed victim was alive and well! Unsurprisingly, their fandom would have gone a little too far as these teens would have been revealed as the killers in Williamson’s take. ![]() But the film would have primarily focused on a set of teen-aged superfans of the original Woodsboro Murders and the Stab series. ![]() Williamson’s story involved bringing our beloved main characters back to Woodsboro while the fictional Stab 3 was in production. Īccording to Williamson, his version of Scream 3 would have been very different than the finished product. Due to these scheduling conflicts, Williamson ultimately delivered a mere outline for Scream 3. Not only was Williamson the showrunner on Dawson’s Creek (1998–2003), he was also making his feature film debut as a writer-director with the teen horror-comedy Teaching Mrs. Unfortunately, he was almost entirely committed to other projects at the time. Of course, the original plan was to get Williamson to expand his original brief outline for this trilogy-capper into a full screenplay. Thus, director Wes Craven returned to the helm once again, but only after finishing Music of the Heart (1999), the film that had convinced him to take on the original movie in the first place. Furthermore, there was a sense of urgency to do a third entry as it was becoming more difficult to reassemble the main cast, many of whom were in demand. Despite the emerging trend, though, Dimension Films and the cast and crew behind the previous Scream movies felt there was still enough air in the tank to bring Kevin Williamson ‘s proposed trilogy to a close. However, those flicks are very hardcore, whereas Blair Witch was easily accessible. That film introduced mainstream audiences to the concept of faux fond footage, but it’s worth noting that Faces of Death (1978) and Cannibal Holocaust (1980) did it first back in the day. As a result, the subgenre of found-footage horror had gained newfound popularity thanks to The Blair Witch Project (1999). But, by the new millennium, audiences’ appetites were beginning to change much faster (albeit not as quickly as today). The original Scream (1996) revitalized horror after a half-decade in which mainstream audiences virtually shunned the genre.
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